Potted Histories

Tales from Stoke-on-Trent and North Staffordshire

  • Up, Up and Away

    Pioneer balloonist Charles Green was quite a celebrity when he arrived in the Potteries in early October 1826. Five years earlier, Green had become famous almost overnight when he made a special ascent into the air in his coal gas filled balloon at George IV’s coronation. Since then he had become a professional balloonist, touring the country giving displays and allowing a lucky few to take a ride up with him. Now that thrill was open to the people in North Staffordshire and to one lucky passenger would fall the chance to make local history by joining Green in the first ever flight over the district.

    The first ascent was to take place from Shelton late in the afternoon of Tuesday, 3 October 1826. ‘A vast concourse of persons’ had assembled according to a reporter for the Staffordshire Advertiser. A carnival atmosphere prevailed, a band had been arranged to keep the onlookers entertained and enclosures were set up for paying guests. The most exclusive of these for ‘the most respectable inhabitants’, was rather thinly populated at first, but started to fill up after 3 p.m., allaying fears that Green would not be fully compensated for his visit to the area. Another cheaper enclosure was also pretty well filled. Most of the locals, though, opted for a free view, an immense number of whom were camped out in surrounding fields, streets and yards, perched on roofs or leaning out of windows.

    Charles Green in later life

    The weather was cloudy but favourable despite a brief shower which dampened those waiting for the launch. Half an hour or so before the main event a small pilot balloon was released to check on the wind direction, Green then got to work preparing the large crimson and gold striped main balloon for its trip over the Potteries. There was at this point some anxiety as to who, if anyone, would accompany Green on his historic flight. Some days earlier a suitable companion had been selected, but who this was is a mystery as the man backed out shortly before the launch and it seemed very likely that Green may have to go up alone. Indeed, the celebrated balloonist had clambered into the basket or ‘car’ as it was then called and was making his final adjustments prior to lift off, when the band suddenly struck up the popular Irish melody ‘Fly not yet’ to get his attention. A last-minute replacement had been found, the Reverend Benjamin Vale, perpetual curate of Stoke-upon-Trent, had volunteered to go. A Londoner by birth, Vale was an abrasive character with a very chequered history, which would not improve during his long career in the Potteries, but whatever his other faults he did not lack for courage and after briefly justifying his decision with his anxious friends, to the applause of the onlookers, he eagerly stepped forward to join Mr Green for this first historic trip.

    With the clergyman aboard, the balloon was allowed to rise into the air to a considerable height above the gathered crowd, ropes still holding it secure while it did so. Here, Mr Green released some ballast and dropped a parachute over the side attached to a basket that carried a cat, which floated safely back down to earth. After a short while suspended thus probably to give the crowd a good view of the ‘buoyant and splendid machine’, it was drawn back down to earth, two flags were handed over which were fixed at either end of the car, the ropes were released and with the band playing and crowd applauding the balloon rose gracefully into the air. To those on the ground the balloon remained in sight for about twenty minutes before vanishing into a cloud for ten minutes, then reappearing briefly in the distance as a dark-coloured ball. The rest of the journey was instead charted by Reverend Vale who subsequently wrote an account of the historic flight, which was printed in the Staffordshire Advertiser several days later.

    Reverend Vale described how after being released, their balloon was blown off first to the north and east and that he continued to answer the cries from the ground for as long as he could. Once they were out of earshot, though, he instead occupied his time watching Green work the balloon, or he looked over the side. It is perhaps a measure of his crusty character that rather than expressing delight at the experience and what he saw, he instead began musing on why anyone would strive to possess what looked like so many mud heaps below them. He tried to spot the church that he hoped to obtain the curacy to, but it had already dwindled into the distance and he could see little save a sprawling mud-heap where Hanley stood and another where Lane End lay.

    A mile up, after entering a thick yellow cloud that to Vale’s mind had a curious soapy feel to it, Charles Green opened the bottom of the balloon to give the gas inside room to expand and as Vale was interested in helping he allowed him to operate the valve when needed. Meanwhile, the balloon sailed over Blythe Bridge where a fresh current of air took hold and they moved towards Cellarhead, passing over Werrington windmill where they heard voices shouting up to them, but they were up too high to make out any figures on the ground.

    Charles Green’s balloon

    Whilst over Consul Woods they heard the sound of several guns being fired and got a good view of the country they were now passing over. The balloon was descending a little too rapidly for Mr Green’s liking, so ballast was dropped to slow the descent. Vale peered down once more, trying to make sense of the landscape below. Straight lines he realised were roads, while an odd mushroom was a haystack and what looked like a solitary bush was in fact a small wood. There were more cries from below and a curious humming noise could also be heard as a rain shower lashed the balloon above them. They crossed the Churnet and the canal near to Belmont House, spotting the reflection of the balloon in the water.

    Another wood loomed and more ballast fell and the balloon rose up into a fresh contrary zephyr that sent it south between Ipstones and Kingsley. Here the two aeronauts heard a voice crying “Come down, come down.” Far below, a woman watching the balloon had called up and thought she heard the men calling back, “Yes, yes, mistress.” and she brought out some brandy ready to greet them and celebrate, but to her disappointment, the balloon passed on by.

    After forty minutes in the air they were two miles up and getting cold and Mr Green decided to tie off the end of the balloon before attempting a landing. To achieve this he boldly stood up on the edge of the car, but even at full stretch he could not reach the fabric until Reverend Vale pulling down on a rope with all his might, dragged it to within Green’s grasp. As Green tied it off they distinctly heard the sound of a horn being blown followed by the clatter of carriage wheels, which indicated that a coach was rattling its way over the hills below them.

    Mr Green was now on the lookout for a safe landing spot, which became more urgent as bad weather closed in. However, nothing but fields and dry stone walls appeared before them and as they slung the grapple over the side, the two men steeled themselves for the worst that might happen. Spotting a couple of men below they yelled for assistance, but flew overhead much too quickly and it was not until their anchor had snagged and demolished parts of two walls that more locals rushed over and grabbed hold of the balloon and they finally came safely to a stop in the middle of a field. Vale estimated that they had been in the air for about an hour and had travelled over at least 25 miles.

    A couple of days later, after an early attempt had to be aborted due to high winds that made flying much too risky, Mr Green took a similar balloon trip over Newcastle, accompanied this time by a member of the Wedgwood family.

    Reference: Staffordshire Advertiser 7 October 1826, p.4; J. H. Y. Briggs, ‘A Staffordshire Clergyman: The Reverend Dr Benjamin Vale, L.L.D. (1787-1863)’ in Staffordshire Studies (Keele, 1987) pp. 141-153.

  • Potts’ Luck

    Ken Ray, a long-time researcher into the lives of local soldiers has assembled an impressive list of North Staffordshire men who served in the Napoleonic Wars, the Crimea and the numerous colonial conflicts Britain participated in during the 19th and early 20th centuries. He has very kindly given me access to some of his documents which chart the lives and careers of ordinary men from the region who might otherwise have been forgotten. This is one of those stories…

    Private John Potts, 3rd Battalion 1st Foot (Royal Scots),

    Napoleonic Wars.

    Depending on which document you consult, John Potts was born in either Hanley or Stoke, in either 1784 or 1789, though the latter seems the most likely date as on his discharge certificate the age ’32’ is crossed out and replaced with ’27’, putting his birth in 1789. This accords with other documents which seem to agree on that date. Nothing is known of his parentage, but before joining the army he worked either as a printer or a painter in the pottery industry, though on at least one occasion he simply listed his occupation as a potter; Potts was ever fickle with his personal details.

    There is a hint that Potts may have been a member of the Staffordshire Militia before joining the regular army as when he attested for the 1st Foot at Windsor on 1 February 1808, he did so with several other men from Staffordshire who all indicated previous military service in Staffordshire. John Potts, however, did not specify how long his service had been. After several months of training, he was assigned to the 3rd Battalion 1st Foot on 25 June 1808.

    Potts went on to see service in the latter half of the Peninsula War  One John Potts later earned two clasps for the Military General Service Medal (awarded to surviving veterans of the Napoleonic Wars in 1847-48) for the storming of  Badajoz in 1812, and the Battle of Vittoria in 1813. This may have been our man, but to further muddy the waters of his service record there were two John Potts in the 3rd Battalion 1st Foot (the other hailed from Roxburgh in Scotland) and the surviving records for both give no indication which of them this was. Our John Potts certainly suffered serious injuries during his service, with gunshot wounds to the head, right arm and leg and left knee. As the Royal Scots only suffered two casualties at Badajoz, (two wounded officers) then John may have got his wounds at Vittoria where the Royal Scots took a severe mauling. However, there is an excellent memoir of the Peninsula War written by Corporal John Douglas of the 1st Foot that mentions a Private John Potts having a miraculous escape from death, but suffering serious injuries, at the siege of San Sebastian in late 1813; and as his account indicates, this was almost certainly our man. We join the story just as the 1st Foot and other regiments are launching an attack against the southern walls of San Sebastian, which was a fortress town situated on a rocky peninsula.

    The attack on the breach at San Sebastian, illustration by Denis Dighton.
    Source: Wikimedia Commons

    ‘On the 25th July the breaches were pronounced practicable, but waiting for the tide to be sufficiently low to admit the men to reach the breach, it was daylight ere we moved out of the trenches; and having to keep close to the wall to be clear of the sea as possible; beams of timber, shells, hand grenades and every missile that could annoy or destroy life were hurled from the ramparts on the heads of the men; to shun which, if they kept further out in the tide, showers of grape and musketry swept them away by half companies. Those who scrambled onto the breach found it was wide and sufficient enough at the bottom, but at the top there was not sufficient room for one file at the curtain and from thence to the street was at least 20 feet. This was a house which was on fire close to the breach, and through which our poor fellows were forcing their way when a shell from our 10-gun battery at the passage side struck the gable and buried nearly a company in the burning ruins. One man alone escaped. The sides of the door being stone fell towards each other, and formed a letter A over him. Though his life was saved by this providential circumstance, he was, I might say, half-roasted, but survived. (I saw him in June 1817, after returning from France, near the potteries in Staffordshire, on the banks of the canal. His face then resembled a new-born infant. His name was John Potts.’

    Potts’ rejuvenated appearance was probably the result of new flesh and scar tissue covering the burns he had received in this closest of shaves.

    The uniform of the 1st Foot in 1815.

    The 1st Foot also took part in the Waterloo campaign in 1815 as part of General Picton’s division, a Private John Potts served in Captain Robert Dudgeon’s N° 8 Company, being awarded the Waterloo Medal for his service in the brief but dramatic campaign. There is evidence that the other John Potts in the ranks of the 1st Foot may have been stricken ill with eye problems on the march from Ghent to Brussels, which may perhaps have put him out of action for the duration, but again as with the Peninsula War clasps there is no clear indication as to which John Potts it was who saw action at Waterloo.

    Potts was in France with the army following Napoleon’s final overthrow and it was whilst stationed at Valenciennes that on 16 May 1816, he was discharged from the army due to being worn out by the effects of his numerous wounds. He was described at the time as being about 32 (sic) years of age, 5 feet 11 inches tall, with brown hair, grey eyes and a fresh complexion. Another document added the detail that he had a long visage. Having made his way back to Britain, on 9 August 1816 Potts was duly examined at the Royal Hospital, Chelsea to secure a soldiers’ pension. This he did, being awarded a shilling a day as an out-patient.

    John Potts disappears from the records after this, though we can presume from John Douglas’s account that he returned to the Potteries following his medical exam. There is some circumstantial evidence that he may have been the John Potts listed in the 1841 census as living in Joiners Square, Hanley. This man was was 52 years old (born in 1789 as the soldier seems to have been) and he worked as a pottery painter (one of Pott’s suggested pre-army trades). He was married, his wife Elizabeth being 45 years old, though they had no children. A decade later, though, the fuller census of 1851 revealed that the couple had suffered a serious downturn in their fortunes. John had gone blind and he and Elizabeth were listed as beggars lodging with a family in Bow Street, Northwood. By the time of the 1861 census, John Potts was 72 years old, his wife was 64 and they now had their own house at 34 Bow Street, where they lived with John’s niece. The census noted that John had been blind for 14 years. This, though, was the last census he would appear on and a John Potts was listed as having died in Stoke-on-Trent in the last quarter of 1862.

    Was this man really our old soldier fading away? We will probably never know for sure, but if so, the tale of his later years makes for a sad counterpoint to the high dramas of his youth.

    Reference: The National Archives, WO 97- Royal Hospital Chelsea: Soldiers’ Service Documents, piece 235, box 4; John Douglas, Douglas’s Tale of the Peninsula & Waterloo 1808-1815, pp. 79-80. Information courtesy of Ken Ray.

  • Am I Not a Man and a Brother?

    By the late 1700s, slavery, most notably the trade in African slaves, was being increasingly seen by many in Britain as a great moral evil. Abolitionist pamphlets and literature distributed in taverns, coffee houses, assembly rooms, reading societies and private houses up and down the country, brought home to the people of Britain the atrocities committed by the Atlantic slave trade, and attacked the entrenched attitudes and vicious practices of slave owners, and the greed of the other moneyed interests that thrived on this inhuman traffic.

    The anti-slavery movement had originated with non-conformist groups in Europe and America in the late 1600s. Quakers and other dissenters objected to slavery on both moral and religious grounds, but because of their unorthodox beliefs they were regarded as social outsiders and barred from public office, and as a result their views were largely ignored save by their fellow dissenters. The movement had grown slowly in Britain during the 18th century, but it finally found a voice and a leader in 1786, when Thomas Clarkson published  An Essay on the Slavery and Commerce of the Human Species. This proved to be a rallying cry for the movement, bringing Clarkson into contact with other like-minded men and the next year he and eleven others formed the Committee for the Abolition of the Slave Trade. This Committee would become a Society as it grew and would coordinate the Parliamentary campaign led by MP William Wilberforce that resulted in the end of the international trade in African slaves. That eventual success was still a couple of decades away, but the Committee made a good start, not only by being led by men of intelligence and zeal, but also by utilising what could be considered an early example of product branding, namely an easy-to-recognise logo, mass-produced by leading Staffordshire potter Josiah Wedgwood.

    Josiah Wedgwood like many abolitionists was a non-conformist, being brought up as a Unitarian. He was not an immediate recruit to the cause, his early life being devoted to setting himself up as a potter and businessman. However, he was always very keenly interested in the social movements of his time and their consequences for society at large. This found its way into his paternal attitude towards his workers, whom he housed in the new model estate of Etruria that he built around his factory, and can be seen in the interest he took in the American War of Independence and the French Revolution. His involvement in the anti-slavery movement, though, seems to have come about through the influence of his business partner Thomas Bentley. Bentley had worked as a merchant in Liverpool, a circumstance that might normally have made him a supporter of slavery, but he was firmly opposed to the trade and unlike the other merchants refused to go and meet the slave ships when they came into port. Doubtless Bentley’s feelings on the matter influenced Wedgwood in this, just as his knowledge of arts and science had done earlier in their friendship. Certainly, following Bentley’s death in 1780, Wedgwood subscribed to all the tracts and pamphlets concerning the abolition of the slave trade, and used his influence to do all that he could to help the cause.

    Josiah Wedgwood

    Wedgwood became friends with Thomas Clarkson and in 1787 he joined the Committee for the Abolition of the Slave Trade, shortly after it was set up. As an experienced businessman  Wedgwood would prove to be a valuable asset in the Committee’s arsenal. He understood the value of publicity – he after all, was the man who had pioneered the idea of the money back guarantee and the benefits of the ‘By Appointment’ status of Royal patronage – and he now came to the Committee with a brilliant idea to help promote their cause. Better still, he had the means to bring his plan to fruition and was willing to pay for it out of his own pocket.

    Wedgwood proposed producing a classically inspired oval cameo based on the seal of the Committee. This showed a kneeling African slave in chains, imploring mercy or pity, with the motto ‘Am I Not a Man and a Brother?’ The idea appealed to the Committee and Wedgwood immediately got one of his best craftsmen, William Hackwood, to first model and then prepare for production what became known as the slave medallion. Hackwood used Wedgwood’s black jasper to represent the supplicant slave, set against a white or cream background in the same ceramic body, with the motto moulded in relief above and partly around the figure. Then, once the working moulds had been made, the medallion went into production. Thousands were made and Wedgwood immediately began sending them out – again out of his own pocket – to interested parties. Thomas Clarkson, writing years later, remembered receiving his first batch and recalled the instant and telling popularity the slave medallion enjoyed.

    ‘Mr Wedgwood made a liberal donation of these, when finished, among his friends. I received from him no less than five hundred of them myself. They, to whom they were sent, did not lay them up in their cabinets, but gave them away likewise. They were soon, like The Negro’s Complaint, in different parts of the kingdom. Some had them inlaid in gold on the lid of their snuff-boxes. Of the ladies, several wore them in bracelets, and others had them fitted up in an ornamental manner as pins for their hair. At length, the taste for wearing them became general; and thus fashion, which usually confines itself to worthless things, was seen for once in the honourable office of promoting the cause of justice, humanity, and freedom.’

    Most of the medallions were distributed via the Committee, but Wedgwood sent out many more himself, most notably in 1788 when he sent a package of the cameos across the Atlantic to Benjamin Franklin, an old acquaintance from the Lunar Society and at that time the president of the Pennsylvania Society for the Abolition of Slavery. Wedgwood wrote ‘It gives me great pleasure to be embarked on this occasion in the same great and good cause with you and I ardently hope for the final completion of our wishes.’ Franklin replied, ‘I am persuaded [the medallion] may have an Effect equal to that of the best written Pamphlet in procuring favour to those oppressed people.’ Sadly for both, neither Franklin nor Wedgwood would live long enough to see those wishes fulfilled.

    Wedgwood continued to actively support the anti-slavery movement right up to his death in early 1795. He bought shares in a company set up to form a colony for freed slaves in Sierra Leone; befriended and advised William Wilberforce who would lead the parliamentary fight against slavery; and he paid for the printing and distribution of an anti-slavery pamphlet that the Committee produced. Offering to pay the cost for the production of a woodcut block, he advised them to head their pamphlet not with the advertisement they had originally planned, but with the woodcut, a reproduction of the same image of the kneeling slave that had inspired his own ceramic contribution to the cause.

    Reference: Thomas Clarkson, History of the Abolition of the Slave Trade, vol. II (1807).

    Website: Wedgwood Museum

  • Old News from the Potteries

    Regular newspaper coverage of events in the Potteries only really started at the end of the 18th century with the advent in 1795 of the Staffordshire Advertiser paper, though as this was published in Stafford, it’s coverage of the goings on in the north of the county was limited to the most noteworthy events. Another half century would pass before more local newspapers were being produced in Hanley, Stoke and Burslem. However, histories, travellers’ journals and some other national or regional papers occasionally carried tales from the Potteries from this early period, giving us fleeting glimpses into life in the area. These range from descriptions of the growing pottery industry and the construction of the canals, to bizarre deaths, odd weather and local curios.

    See a Fine Lady Upon a White Horse

    Between 1697 and 1702, partly from a wish to improve her health and from an equally strong desire to see more of her native land, Lady Celia Fiennes (whom some claim was the fine lady at Banbury Cross from the children’s nursery rhyme) undertook a series of journeys around England. In the summer of 1698, her peregrinations brought her into North Staffordshire. Here, after admiring the as yet unsullied landscape, she was keen to visit the Elers Brothers’ factory at Bradwell, but as she notes in her diary she was unsuccessful; the potters had temporarily run out of clay and were not working.

    ‘..and then to Trentum, and passed by a great house of Mr Leveson Gore, and went on the side of a high hill below which the River Trent ran and turn’d its silver stream forward and backward into s’s which Looked very pleasant Circling about ye fine meadows in their flourishing tyme bedecked with hay almost Ripe and flowers. 6 mile more to NewCastle under Line.’

    After ruminating briefly on the ‘coals to Newcastle’ adage, she continued. 

    ‘… I went to this NewCastle in Staffordshire to see the makeing of ye fine tea potts. Cups and saucers of ye fine red Earth in imitation and as Curious as yt wch Comes from China, but was defeated in my design, they. Comeing to an End of their Clay they made use of for yt sort of ware, and therefore was remov’d to some other place where they were not settled at their work so Could not see it;’

    (Reference: Celia Fiennes, Through England On a Side Saddle in the Time of William and Mary, pp.146-147.)

    A Swedish Spy in the Valley of Crockery

    A visitor to the mid-18th century Potteries was Reinhold Rücker Angerstein, an industrial spy in the employ of the Swedish government, who was tasked with gathering information on new or emerging technology. Between 1753 and 1755, he journeyed through England and Wales and produced a wide-ranging and comprehensive survey of the various industries and their practices. He appears to have visited the Staffordshire Potteries, which he labels rather colourfully as a ‘Valley of Crockery’, in about 1755. Here, after examining the manufacture of salt-glazed wares, describing the kilns in Hanley (including illustrations), the raw materials used, the prices of ware and various mechanisms employed in producing pottery (with still more pictures), he went on to add a few descriptions of the area that make for interesting reading.

    He notes that in Hanley there were 430 makers of white ware and other types of pottery, adding ‘The kilns are everywhere in this district.’ and to prove his point he includes an illustration of the skyline of the town. There were also large numbers of potteries in Stoke and other places, ‘where mostly the same kind of ware as that enumerated is made and also some simpler crockery.’ He then adds a picturesque and slightly comical tale. ‘When as it sometimes happens, many kilns are glazing with salt at the same time, there is such a thick smoke of salt in these towns, that people in the streets cannot see 6 feet ahead, which, however does not cause any difficulties. On the contrary, the smoke is considered so healthy that people who are ill come here from far away to breathe it.’

    Of the pottery itself, he writes, ‘The crockery produced is mainly sent to London or other sea ports, from which much of it is exported to America and many other foreign countries.’

    (Reference: R. R. Angerstein’s Illustrated Travel Diary 1753-1755, pp. 340-342)

    John Wesley preaching to a crowd

    Pelted in the Potteries 

    On 8 March 1760, the Reverend John Wesley, the founding father of Methodism, visited Burslem for the first of many visits to the region. He described Burslem as ‘a scattered town, on the top of a hill, inhabited almost entirely by potters’, a large crowd of whom had gathered to hear him at five in the evening. He noted that great attention sat on every face, but also great ignorance which he hoped he could banish. 

    The next day Wesley preached a second sermon in Burslem to twice the number of the day before. ‘Some of these seemed quite innocent of thought. Five or six were laughing and talking till I had near done; and one of them threw a clod of earth, which struck me on the side of the head. But it neither disturbed me nor the congregation.’  –

    (Reference: John Wesley, Journal, 8-9 March 1760)

    The First Cut

    After receiving the royal assent two months earlier for construction of a canal connecting the rivers Trent and Mersey, on the morning of 26 July 1766, at a site just below Brownhills, pottery manufacturer Josiah Wedgwood cut the first sod of what would in time become the Trent and Mersey canal. James Brindley, the engineer who would oversee the canal’s construction, and numerous other dignitaries were present, many of whom would also cut a piece of turf, or wheel away a barrow of earth to mark the occasion. In the afternoon a sheep was roasted in Burslem market place for the benefit of the poorer potters in the town. A bonfire was also lit in front of Wedgwood’s house and many other events took place around the Potteries by way of celebration. 

    (Reference: Jean Lindsay, The Trent and Mersey Canal, pp.31-32)

    News from the North

    Extract of a Letter from Burslem, 14  August 1766,

    ‘As you often give me London News, I will give you some from this Country, which has of late made a Figure. This Neighbourhood has for many Years made Pots for Europe, and will still do so, though the King of Prussia has lately clapt 28 per Cent, upon them. Our Roads were so bad that nobody came to view the Place where the Flint Ware is made, but now we have Turnpikes upon Turnpikes, and our Potteries are as well worth seeing as the Stockport Silk-Mills, or the Bridgewater Navigation, which we intend to beat hollow by Lord Gower’s, now begun in our Meadows, and advancing apace towards Harecastle, on the other Side of which Multitudes of Men are at work, and before Christmas we shall have cut through the Hill, and made another Wonder of the World. There are already 100 Men employed on our Side, and 100 more will be added as soon as Wheelbarrows can be procured for them. Saturday last we had brave Sport at Earl Gower’s, where 100,000 Spectators were present at the Prison-Bars played in Trentham Park. Among them were the Dukes of Bedford and Bridgewater. The Prizes were Ten Carline Hats, with gold Loops and Buttons, given by the Earl. The Cheshire Men were active Fellows, but unluckily their Lot was to wear Plod Drawers, to distinguish them from their Antagonists, which made the Crowd oppose their getting the Honour of the Day. During this Game, my Friend Bucknall loft his Boy, about Eight Years of Age, who was suffocated by going aslant down a Sort of a Cave into an old Coalpit, the top of which was fallen in. The Man that ventured to fetch him out, found a Number of Birds, supposed to have dropped down there by the sulphurous Stench issuing from the Pit. We have much Hay, and Cheese is plenty, and Corn without Barn-room, nor do we want Money. 

    P. S. I have just seen a Hen, which laid Twelve Eggs only, from which she has brought up Twelve Cock Chickens, which is looked upon as somewhat remarkable.’  –

    (Reference: Derby Mercury, Friday 29 August 1766, p.2)

    In Praise of Mr Brindley

    Extract of a Letter from Burslem in Staffordshire. dated September 5.

    “Though our Stone Ware has been universally used, yet till our Turnpikes were made few People ever saw our Manufactories. But now they are gazed at as a Novelty. The Ladies go to Warburton’s to buy the Queen’s Sets of Cream-coloured Ware; and the Gentle-men come to view our Eighth Wonder of the World, the subterraneous Navigation, which is cutting by the great Mr. Brindley, who handles Rocks as easily as you would Plumb-Pyes, and makes the four Elements subservient to his Will. He is as plain a looking Man as one of the Boors of the Peak, or one of his own Carters; but when he speaks all Ears listen, and every Mind is filled with Wonder at the Things he pronounces to be practicable. He has cut a Mile through Bogs, which he binds up, embanking them with the Stones which he gets out of the other Parts of the Navigation, besides about a Quarter of a Mile into the Hill Yeldon; on the Side of which he has a Pump, which is worked by Water, and a Stove, the Fire of which sucks through a Pipe the Damps that would annoy the Men, who are cutting towards the Centre of the Hill. The Clay he cuts out, serves for Brick to arch the subterraneous Part, which we heartily wish to see finished to Wilden Ferry, when we shall be able to send Coals and Pots to London, and to different Parts of the Globe.— Another Mile is cut on the Cheshire Side of the Hill, and the Men intend to meet in the Middle by Christmas, when they are to have an Ox roasted whole, and an Hogshead of Ale.”

    (Reference: Derby Mercury – Friday 18 September 1767, p.2)

    Tunnel Vision

    On 1 July 1772, an anonymous correspondent writing from Burslem related what he had seen the day before when he and some companions paid a visit to the first incarnation of the Harecastle Tunnel, situated between Tunstall and Kidsgrove and then under construction as part of James Brindley’s Trent and Mersey Canal. 

    ‘Yesterday we took a walk to the famous subterraneous canal at Harecastle, which is now opened for a mile on one side of the hill, and more than half a mile on the other, of course the whole must be compleated in a short time. As it is not yet filled with water, we entered into it, one of the party repeating the beautiful lines in Virgil, which describe the descent of Æneas into the Elysian fields. On a sudden our ears were struck with the most melodious sounds. – Lest you should imagine us to have heard the genius or goddess of the mountain singing the praises of engineer Brindly, it may be necessary to inform you, that one of the company had advanced some hundred paces before, and there favoured us with some excellent airs on the German flute. You can scarcely conceive the charming effect of this music echoed and re-echoed along a cavern near two thousand yards in length.’ 

    (Reference: Leeds Intelligencer, Tuesday 14 July 1772, p.3)

    A Fungi to Be With

    No age is free of stories of novelty fruit, veg or mushrooms:

    ‘A few days ago, a mushroom was got at Stoke-upon-Trent, in the county of Stafford, whose diameter was 5 inches, and 30 inches in circumference, it weighed 16 ounces. The above is very authentic.’ 

    (Reference: Leeds Intelligencer, 5 September 1775, p.3)

    All in a Spin

    In 1781, there was the story of a curious weather phenomenon, a whirlwind or perhaps a mini tornado:

    ‘The following extraordinary phenomenon was lately observed here; at the latter end of last month, a field of hay belonging to Mr. J. Clark, near Burslem, was carried off by a whirlwind; the day when it happened was exceedingly calm, scarce a breath of air to be perceived. The people who were at work in the field observed, that in one part the hay began to be agitated in a small circle, at every wheel it increased in size and velocity, continually sucking more hay into its vortex; after a considerable time it began to ascend, taking along with it a silk handkerchief which hung rather loosely about the neck of one of the men who was at work; it continued ascending till entirely out sight, and in about an hour it began to descend, and continued to so for an hour’s space, alighting at, or within a few hundred yards of the place from whence it had been carried up, so that the owner lost but a very trifling quantity of his hay.’ 

    (Reference: Hereford Journal, 23 August 1781, p.2)

    A Tragic Accident

    The following melancholy tale from the Potteries is related in a letter dated August 14 1785. 

    ‘As Ellen Hulme, a poor woman of Lane End, was returning to her habitation late last night, with her infant, six weeks old, in her arm, she unfortunately stepped into a coal-pit, which shamefully lay open close to the road, and even with the track which led to the poor creature’s house. Her husband, whom she had been to fetch from an alehouse, immediately alarmed the neighbourhood, when her distressing cries were very distinctly heard from the bottom of the dreary pit every effort was attempted by the hardy colliers to fetch her up, but the damp prevailing very much, obliged them to use means to extract it, after which was found the mother with her infant upon her arms, both dead.’ 

    (Reference: Sussex Advertiser, 22 August 1785, p.3) 

    A Hard Winter

    During the harsh winter of 1794-1795, the better off inhabitants of Hanley and Shelton formed a committee which started a subscription list for the temporary relief the poor who were suffering great hardship during the cold weather. By February 1795 the committee had collected an impressive £150, enough to enable them  to supply nearly 500 local families with meat, potatoes, and cheese. The Wedgwood family gave a liberal amount and through them a Mrs Crewe kindly added a welcome donation of a quantity of flannel clothing. The Marquis of Stafford aided the relief fund by ordering 100 tons of coal to be at the distribution of the committee. 

    A month later, in an issue of the Staffordshire Advertiser that noted that thermometers in Macclesfield had measured temperatures as low as -21° F (-29.4° C), the fearsome nature of the winter was highlighted dramatically by one small but rather macabre snippet of news: ‘Through the inclemency of the night of Saturday last [i.e.,14 March] a poor man perished betwixt Hanley and Bucknall. He unfortunately lost himself in attempting to cross the fields, and was found on Sunday standing upright in a snow drift, with his hand only above the surface.’ 

    (Reference: Staffordshire Advertiser, 7 February 1795, p.3; 21 March 1795, p.3.)

    Dashed to Pieces

    ‘A melancholy accident happened on Wednesday last at a coal-pit near Lane Delph, in the Pottery. A poor woman employed in drawing up the coal, was by some accident unfortunately thrown into the pit, and was literally dashed to pieces.’

    (Reference: Derby Mercury, 30 June 1796, p.4).

    Wild Fire

    In late March or early April 1799, a dreadful accident happened in a pit at Lane End, the property of John Smith, Esq. Four men were blown up, and two them terribly burnt by what the colliers of the time described as ‘the wild fire’. The explosion was loud, and the concussion so great that nearby houses shook violently. Two of the men were not expected to recover, while the other two were thrown to a considerable distance, and left badly bruised. The reporter noted that their hats were blown to the distance of 70 yards from the mouth of the pit. 

    (Reference: Staffordshire Advertiser, Saturday, 6 April 1799, p.4)

  • The Battle of Burslem

    The 2nd Dragoon Guards open fire on the crowd in front of the Big House, Burslem.
    An AI recreation of the scene after a drawing by the author.

    In 1842, a prolonged miner’s strike had crippled the Staffordshire Potteries. Hundreds of men were on the streets begging and intimidating passers by, while surly mobs raided police stations to free those who had been arrested. The situation in the Potteries was likened to that of a powder keg ready to explode and all that was needed was a spark to kindle all into combustion. Enter Thomas Cooper lay preacher and Chartist firebrand, whose powerful speeches finally struck that spark and plunged the Potteries into two days of rioting and mob rule. During this period dozens of buildings were looted and destroyed and order was only restored after a clash between rioters and the army, an incident popularly known as the Battle of Burslem.

    Thomas Cooper

    The confrontation took place on 16th August 1842. After a day and night of rioting and looting, early in the morning of the 16th crowds began to gather once more on streets of the Potteries. Of the five towns which had suffered in the previous day’s rioting, Hanley had been hit the worst. Plumes of heavy fire smoke curled up from either end of the town and the streets were filled with debris. The parsonage was a smouldering ruin and at the top of Pall Mall, Albion House home of local magistrate William Parker had been reduced to a charred and broken shell. On the streets of the town by 7 o’clock a crowd of 400 to 500 people had gathered and were being addressed by two of the local Chartist leaders, young William Ellis and John Richards, the elder statesman of Potteries Chartism. Ellis was urging the crowd not to give up the struggle until the People’s Charter became the law of the land. According to witnesses, though, it was the normally mild-mannered Richards who was more to the point. “Now my lads,” he said, “we have got the parson’s house down, we must have the churches down, for if we lose this day, we lose the day forever.” Ellis then spoke again and urged the crowd to go to Burslem to join the crowd there. They were expecting to meet up with a large crowd who were coming to the Potteries from Leek and extend the rioting even further. By 9 o’clock, with shouts of “Now lads for Burslem” and “Now to business”, the Hanley mob began marching north.

    From Hanley to Burslem is a steady half hour walk for a healthy man and as they entered the town at about 9.30am, the crowd were singing a song that Thomas Cooper had taught them, “… the lion of freedom’s let loose from his den, and we’ll rally round him again and again.” On their arrival in the town a part of the mob barged into George Inn which had only ten days earlier been attacked by outraged strikers and suffered substantial damage. To try and avoid further trouble, the owner of the Inn, Mr Barlow tried to buy the rioters off by giving them a shilling each; some of this was in half crowns and a dispute arose at the door as to the division of it. By this time the greater part of the mob had arrived and they immediately rushed in and filled the house. Mr Barlow had taken the precaution to remove the bulk of his cash; there was however £14 in coppers wrapped up in parcels of five shillings, which were all taken. Numerous bottles of wine, whisky and rum was also stolen, and the taps attached to the beer kegs were left running. Prominent amongst those who conducted this raid was George ‘Cogsey Nelly’ Colclough, a local lout who had flitted from one town to another the previous day, joining in with the burning and looting wherever he went. Like a moth to the flame he had followed the trouble back to his native Hanley and now thought to export his brand of local thuggery to the Mother Town. But the invasion of the inn did not go unopposed, for while the mob had previously only faced outnumbered police constables, they now found that they were in a town containing a small but formidable force of regular soldiers. They were surprised by a sergeant of dragoons and one or two other soldiers who were billeted at the inn, who hearing the noise, rushed into the bar and lobby to confront the troublemakers. Being in their undress uniforms they only had their swords to hand, but undaunted, the sergeant immediately drew his sword and began to cutting and swatting at the looters and in a few minutes the house was cleared. On being forced back into the street, the mob vented their anger by throwing stones at the windows, and in a very short time all the newly fitted glass was smashed and the house soon presented the same dilapidated appearance as it did after the attack in the night of the 6th.

    At the Leopard Inn, meantime, local magistrate Captain Thomas Powys was with Brevet-Major Power Le Poer Trench the commander of the 50 or so 2nd Dragoon Guards, who had been stationed in Burslem the week before. The two men had met shortly after the news had come in of a large crowd coming from Leek and Powys was doubtless consulting with the military as to what should be done if they tried to join the rioters. It was at this point that Thomas Lees the landlord of the inn came over with news that trouble that had broken out in Chapel Square. Captain Powys immediately asked for the Major’s assistance and Trench quickly ordered his available men to horse. Most of the men were billeted at the inn, their horses being stabled outside and the troopers now came out into the cobbled courtyard and hurriedly got themselves and their animals ready for action. A flurry of stones came flying over the gate striking at least one soldier on the helmet, but unfazed they were soon clattering out of the courtyard and through the streets. Mounted on their big bay horses, the soldiers dressed in scarlet tunics, dark blue trousers with a yellow stripe down the side and tall, crested brass helmets on their heads, they were a sight to see and doubtless provided the townsfolk with a gallant if alarming show as they rode towards the Market Place.

    The Leopard Inn, Burslem.

    The mood in the town had grown increasingly ugly with the arrival of the soldiers and Captain Powys knew that the crowd of people from Leek were even now on the outskirts of the town. If the two mobs joined up and went unopposed Burslem might well be utterly wrecked, so Powys decided that it was now time to restore law and order before things got completely out of hand.

    Riding up to the top of St John’s Square with Trench’s dragoons posted on either side and 200 special constables behind them, Captain Powys faced the mob and began to read out the Riot Act in a loud voice. He then gave several other warnings and then read the Riot Act again, urging the crowd to disperse and go home peacefully. The crowd, however, were unmoved and milled about between the market or the Shambles, as it was called, and the Big House, Thomas Wedgwood’s former home that still stands at the junction of Moorland Road and Waterloo Road, though at that time there was a walled garden before it. Powys then called out, “Clear the streets!” Then shouted, “Charge!” and led the dragoons towards the crowd. He had hoped to scare them off and the horse soldiers beat with the flats of their swords any who were slow in getting out of their way. The ruse did not work, though, for as one portion of the crowd fell back others spilled out of the side streets and alleys, back into the main crowd. Seeing the opportunity to cause more trouble, George Colclough set about the nearest soldiers with his stick, beating at their sword arms as they attempted to swat him. After a time several of the cavalrymen were so bruised by Colclough’s attacks that they left him alone, which is said to have raised a cheer from some in the crowd.

    By now it was getting towards noon and despite the best efforts of Captain Powys and the soldiers, the streets were still full of people. Some had climbed onto the roof of the Town Hall and the covered market, from where they threw stones at the troops and special constables. Powys, increasingly alarmed that the situation might escalate to the point where he might have to use the soldiers more forcefully, was repeatedly seen riding up to the crowds and calling out that the Riot Act had been read and urging people to return to their homes. He was joined in his efforts by others including an Irish naval officer, 41 year old Captain William Bunbury McClintock, who had come to town to meet his friend Major Trench, only to find himself in the eye of a storm. McClintock now rode back and forth from where the bulk of the troops were gathered by the Leopard Inn to check on what the crowds were doing. He saw ‘a vast concourse of people in the Hanley Road, and a dense mob on the Smallthorne Road – the latter were accompanied by a band of music. I returned again to the troop, and told Captain Powys there would soon be bloody work.’

    Word quickly spread, to the delight of the rioters in the town that the Leek mob of between 4,000 to 5,000 people was advancing down Smallthorne Road and they began moving up Chapel Square to meet them. As McClintock had noted, at the head of the crowd marched a band playing ‘See the Conquering Hero Comes’ preceded by a large number of men and boys shouting and waving makeshift weapons overhead, all of which could be clearly seen from Market Square. Captain Powys described it as ‘the most tumultuous and violent mob which I have ever seen assembled, having seen many riots in the country and in London.’ He guessed that a clash was now inevitable and barely three minutes after McClintock had ridden back to the troop, Powys ordered Major Trench to move the troop forward to meet the crowd and he formed his dragoons up in sections diagonally across the road from the Big House to the Post office, so cutting the newcomers off from the bulk of the Potteries’ mob in the Market Square. The special constables, meantime, closed up nervously behind the cavalry, among them local manufacturer Joseph Edge and his friend Samuel Cork. They looked so alarmed at this point that a kindly lady watching the action from a nearby house sent her servant over with a glass of wine for them both, hoping that the drinks would revive their spirits.

    An officer of the 2nd Dragoon Guards. The black crest was only worn on parade or for ceremonies

    They needed it, for by now the fresh crowd was closing on the thin line of soldiers. Captain Powys on horseback was on the left of Major Trench, who with the other officers were in advance of the dragoons. A large crowd was assembled in the area above the Wesleyan chapel, to witness the arrival of the Leek mob. When about eighty or a hundred yards from the spot where the dragoons were stationed, the Leek party began to cheer and those in front waved their bludgeons. As the head of the procession entered the open space, the front ranks turned to the left, with the apparent intention of making their way by the Wesleyan chapel. About twenty or thirty deep of them had got so far when as Captain Powys later recalled, ‘Immediately large volleys of stones, and brick ends were thrown by this mob at myself, and also at the military, I being then in the advance. Similar stones were thrown at the same time by the mob coming in the direction from Hanley at the military, myself and also at the special constables.’

    By now the situation was intolerable. Stones were being hurled from both sides of the Market Square, striking horses and men alike and rattling over the cobbles. Captain Powys had thus far been the model of restraint, giving the crowd ample opportunities for a peaceful withdrawal, but it was now obvious that they were bent on trouble. Fearing for the safety of the soldiers, special constables and himself, by his own account he felt he had no choice but to use the soldiers to full effect and turning to Major Trench, Powys asked him to get his men ready to open fire. Trench agreed that the situation was getting out of control and gave the appropriate orders. As the soldiers sheathed their swords and primed their carbines, the large crowd moved forward as far as the Big House. The dragoons advanced slightly to counter them and only at the last moment when the front of the crowd was only six or seven yards away from the soldiers did it seem that the rioters saw the line of guns being raised and levelled at them. ‘This movement on the part of the soldiers caused a strange movement amongst those in the front of the mob, and a look of terror came over their faces. Another moment and the order “fire” was given’ and the rattle of musketry echoed out loud over the town.’

    The soldiers fired directly into the crowd, not over their heads as some reported, and many bullets found a mark. Standing in front of the large brick wall that then stood in front of the Big House, was a 19 year old shoemaker from Leek named Josiah Heapy. Despite glowing reports from his employer, who later extolled his gentle character and claimed he had been forced to join the crowd, Heapy appears to have been actively engaged in throwing stones at the soldiers, at least, that is, until a musket ball struck him in the temple and blew his brains out against the gate post.

    As Heapy’s lifeless form slumped to the pavement, in another section of the crowd, a bricklayer named William Garrett got a ball through his back that exited through his neck and he too fell to the ground gravely wounded but he was eventually whisked off to the infirmary. According to reports others were hit, but in the confusion no one stopped to count the casualties, though it has been supposed that some of the wounded were carried off by their friends and died later. A report in the Bolton Chronicle later claimed that the true tally had been three people killed and six wounded, while reports from Leek spoke of numerous wounded being brought back into the town after the riots.

    The Big House in Burslem, where the fateful clash occurred

    Some in the crowd seem to have been expecting this development, for shortly after the soldiers had fired their volley someone released a number of carrier pigeons which set off in the direction of Manchester. One of these birds was later captured and found to be carrying a note reporting that the mob had been fired on by dragoons and calling for 50,000 workers to join them in the Potteries. Some witnesses also recalled seeing plumes of gun smoke coming from the crowd just before the soldiers fired, though if this was the case, none of the soldiers or special constables were injured.

    Most of the mob, though, was just shocked by the gunfire. From his position behind the dragoons, special constable Joseph Edge had watched all this in fascinated horror, as his son later noted: ‘such a scene presented itself which we may pray may never be repeated in this good old town. So panic stricken was the mob that the men simply lay down in heaps in their efforts to get away from the cavalry… ‘

    Having stunned the rioters, the soldiers kept moving forwards and slinging their carbines, they drew their swords and followed by the special constables they charged their horses into the head of the crowd which scattered in panic before them. Immediately, thousands of people began rushing in all directions, many falling over each other in tangled heaps, others leaping through open windows, or into any available hiding place. Apocryphal tales abound. One Joseph Pickford of Leek is said to have taken shelter in a pig sty, much to the annoyance of its porcine occupants, whose squeals threatened to reveal his hiding place. Hundreds more escaped into the adjoining fields. Another story recalled how Thomas Goldstraw, a powerfully built man from Leek and a noted drummer, dropped his drum when the soldiers charged and quickly fled from Burslem back the way he had come, unaware at first that his son who had been nearby at the time had been shot through the thigh and was lying wounded in a field just outside the town. According to the storyteller, Goldstraw junior was later placed on a cart and transported to the surgery of an obliging physician, Dr Wright at Norton-in-the-Moors, who soon had him back on his feet again.

    As the military swept past into the Moorland Road, a portion of the mob from the direction of Hanley, rallied and began throwing stones at the body of special constables, who advanced to the conflict in a dense mass, playing away with their truncheons, and completely routed the mob in that quarter. After the soldiers had charged a short distance up the Smallthorne Road, they were halted and recalled: their job was done as the mob, which just before had consisted of five or six thousand people was completely dispersed and the danger to Burslem had passed.

    Reference: Staffordshire Mercury, 20 August 1842; Staffordshire Advertiser, 20 August 1842, p.3;  John Wilcox Edge ‘Burslem fifty years ago’, quoted in Carmel Dennison’s Burslem:People and Buildings, Buildings and People, (Stoke-on-Trent, 1996), pp. 36-37; Leek: Fifty Years Ago, (Leek, 1887), p.107 and 121.

  • Dickens, the Dodo and the Dinner Plate

    On 1 April 1852, the writer Charles Dickens wrote a letter to his wife Kate informing her ‘We think of going on tonight from Birmingham to Stoke upon Trent.’  Despite worries about the trains, it seems that he and a travelling companion arrived in Stoke the next morning. Here after gazing with some fascination at the town before him, the famous author (who at the time was also writing up weekly instalments of his longest book, Bleak House) spent a few hours at the Spode factory which was at that period owned by W. T. Copeland.

    Dickens started his tour of Copeland’s works by watching a thrower and his attendant swiftly and skilfully fashion a breakfast set for his amusement, watched jiggerers and pressers making bowls and basins and saw Parian statuettes being produced in moulds. He then explored the factory kilns, seeing the saggars being stacked prior to firing and mused on the constant cycle of heating and cooling that accompanied the manufacture of pottery. This was followed by visits to see transferers and decorators at work, producing willow pattern wares or fancier stuff, before moving on to the dipping shop for glazing and then to the placers carefully loading the ware into the appropriate saggers prior to them being loaded into the kilns he had seen earlier. Dickens seems to have enjoyed his tour and it was doubtless a thrill for the workers at the Copeland works to meet, albeit briefly, one of the biggest celebrities of the Victorian age and show him their own impressive skills. Armed with all he had seen and imbibing a good working knowledge of the history and process of pottery making, Charles Dickens moved on the next day to Stafford.

    Compared to the grime and industry of the Potteries that evidently spoke to his imagination, Dickens was bored with Stafford and rather rude about the place, ‘it is as dull and dead a town as any one could desire not to see’ he wrote tartly. He lodged at the Swan Inn, which he disparagingly nicknamed ‘the Dodo’ and where he apparently seemed doomed to spend a very dull evening indeed. According to the tale he told, though, he chanced to look at the bottom of a plate and saw the name ‘COPELAND’, which set him to musing on the previous day’s events. Employing a literary conceit, he then let the plate ‘remind’ him of all he had seen at Copeland’s pot bank, telling the story outlined above as a journey through its creation. The plate’s ‘recollections’ got Dickens through the evening, so he claimed, though one might suppose that he was actually quite busy putting his recollections down on paper. His clever bit of writing, ‘A Plated Article’, was published in the magazine Household Words, on 24 April 1852. 

  • A Potteries Teddy Boy, part 1

    William Cooper (third from the left) in his early days as a Ted

    When I was 14 and still living in Nelson Place with my sister Minnie and her family, two of my mates who were older than me had asked me if I wanted to go dancing. I said, “Dancing. I’ve never danced in my life except some square dancing at the church hall. Where you going?” They said “The skating rink, they’re playing rock and roll.” I said, “Rock and roll, what’s that?” – “Haven’t you heard those new records on the radio?” They said.

    Well, I wasn’t all that interested at first, but I said I’d think about it. They were going on the Tuesday, so I tuned in to the radio after this just to find out what they were on about. The first rock and roll record I ever heard, even before Bill Haley and the Comets, was by Boyd Bennett and the Sky Rockets. It was one that was imported from America, you never heard it much because they didn’t play that sort of stuff on the wireless much then, it was mainly crooners and big band sounds like Victor Sylvester, Edmundo Ros and Ted Heath.

    Anyway, I went to the dance. It was at the Ideal Skating Rink; they had dancing there on Tuesdays and Saturday nights and as I was tall for my age they thought I was 15 and they let me in. I enjoyed myself, but I was still a bit shy so didn’t dance, I stood at the side talking to some girls from school and some older ones who’d already left. They were all asking me why I was there. I went again the next week and this time I had a few dances and started to like it. They were still doing what they called jive which had been introduced when the Americans were here during the war. It was very similar to what they called bopping, only to big band music. But that wasn’t in the Teddy Boy era; it hadn’t started around here yet. 

    Of course, when the first rock music came out, the big band stuff and the jive had had it, that had gone. When Elvis and Bill Haley came out, we didn’t want to know that other stuff, all we wanted was rock music. And when proper rock and roll dancing came in, the Teddy Boys appeared. The Teddy Boy era didn’t last all that long. It started in about 1953 and by 1959 it was all over, around here at least. I first decided to be a Teddy Boy after seeing an article in the ‘Daily Mirror’ about lads in London dressing as Teddy Boys. Anyhow after the article in the ‘Mirror’ about the Teddy Boys in London, of course it spread all over the country and they started appearing around Hanley. I saw one or two and then more started dressing like that, then as I say, I became one as well. My family didn’t mind about me becoming a Teddy Boy. Minnie wasn’t really bothered, she knew it was the ‘in’ thing then and that I liked dancing. Her kids, Marie, Margaret and all the others would say “Where you going?” when I used to start getting dressed up to go out on a Saturday night.  

    Weekday wear

    In the week we’d wear jeans and bomber jackets, sometimes leatherette or leather if we were well off, but at the weekend we’d never go out without a suit on and a tie. That was the real Teddy Boy look – it took Edwardian style dress and exaggerated it a bit. I think we took some style from the pictures too, like the film ‘Beau Brummell’, that one with Stewart Granger. I know Beau Brummell wasn’t Edwardian, but he was a dandy and if you watch that film you’ll see the influence there, the flashy cravats and ties. The long coats were the main thing that made us stand out, some with fancy lapels and we wore drainpipe trousers that tight that you used to have to sometimes lie down on the bed to pull them on. But a lot of the tailors in Stoke-on-Trent wouldn’t make you a Teddy Boy suit, I don’t know why – they just wouldn’t do it. To get a Teddy Boy suit, I had to hunt around and finally got one made at a private place down in Shelton. It cost me £15, which was a lot of money then, even when I worked in the pit. At one time, though, I did have a real Edwardian suit. The bloke next door, Lily Kondratiuk’s father, saw me dressing up one night and he said, “That looks like Edwardian stuff.” and I said, “That’s how they’re beginning to dress now. They call them Teddy Boys.” He says, “Well, I’ve got one of them suits, but it’s in the pawn shop. If you want it, here’s the ticket; go get it.” 

    Anyway, I went up to get it and it was absolutely brilliant! Jet black it was, with a waistcoat. When I put it on it was a perfect fit because he was same build as me then. I bought a pair of black shoes to go with it, a fancy white shirt with frills on and a string tie. My mates were jealous to death. They said, “Where’ve you had that made?” I said, “I haven’t had it made. It’s older than any of us this is.” I wore it for ages, it was a lovely suit.

    Another time, I bought a Teddy Boy jacket on its own. A grey one it was, very long, down to my knees. I’d only worn it a couple of times, but with sweating from all the dancing I did the lapels went crinkled on both sides. I said to one of the lads, “I onna bloody wearing this again. It’s had it.” To my surprise, though, he said, ‘Hey, it’s great! I wish I’d got one like that.’ What it was, after the dancing I’d put a big duffle coat over the top of my jacket – a big black one with those big peg buttons – and it held all the sweat in and made the jacket all wrinkled down the lapels. Everyone said it looked good, so I wore it all the time after that. 

    We also used to wear fancy shirts as well. We’d think nothing of wearing bright orange shirts, or pink or yellow. Tony Hughes was best when he came in a frilly shirt. He met us outside the Albion and when he arrived he’d got his big duffle coat on and he says, “I’ve bought a new shirt.” That was nothing new because we used to buy shirts regularly. Anyhow, we went inside the Albion for a couple of drinks and said, “Let’s have a look at it then.” He took his coat off and it had frills all round his collar like lace, all around his wrists and lace sticking out all down the front. Harold Hale said, “You look like a big girl, you do!” We were all laughing, but it was different and the following week, we’d all got them on. They didn’t last long though, as they were right buggers to iron. Minnie had to iron my shirts, I couldn’t iron shirts, I’d just iron the front and put it on. When she saw these frilly shirts, though, Minnie said, “What the bloody hell have you brought me here for iron?”

    The Tony Curtis look was in, so you had to have a quiff as well. I went to see how much it cost to have it cut in that style – I was told 10 shilling, which was an astronomic price! So, I did it myself, they showed you how to in a paper. To do your quiff you’d comb your hair up, then just pull it forward. I used sugar and water mixed. What you did was you mixed the sugar and water, not much water, but plenty of sugar. The water had to be aired so the sugar was just starting to melt and then you dug your hands in it and rubbed it hard until it melted right down, you could feel it sticky on your hands and you rubbed it on. Then you combed your hair and that’s it, it stayed. Mind you, my first go wasn’t all that brilliant, my hair was too short and it came out all spiky.

    Bill Cooper, Harold Hale (on bike) and Ronnie Williams.

    I had plenty of friends to go out with. There was still John and Harold Hale from Nelson Place. They were Teds as well, but John more than Harold. There was our cousin Raymond Walsh and Tony Smith, he was only a little guy, he was only about five foot and when he’d got his long jacket on the sleeves hung down to his finger tips. He’s the one that kept getting into bloody trouble all the time and expected us get him out of it. There were a lot of us. There was Brian Ward, Ronnie Williams, Billy Gilbert, Bernard Shaw and others. There was quite a few of us from the Nelson Place area, but not the older ones; those that were two or three years older than me and who I first went dancing with didn’t take it up. 

    You could call us a gang, I suppose, but it wasn’t just made up of those I’d known when I was growing up in Nelson Place, there were others that we’d meet in dance halls and in pubs. We used to all hang round together. There used to be a bunch of girls with us as well all the time. We would go all over the place dancing, not only in Stoke either, we also went to Manchester.’ 

    Reference: Interviews with William Cooper, 2007.

  • Boots! Boots! – A Potteries World Premier

    Probably at some point in early to mid July 1934, Burslem hosted the world premier of the first film of an up-and-coming star, when, according to report, the Palladium Cinema in in Waterloo Road showed a new British comedy entitled Boots! Boots! The star of the production was George Formby Jr, the son of a notable music hall performer, who would go on to be one of the biggest home grown film stars of the early 20th century. In his most famous films, Formby was invariably cast as a gormless but cheeky character with an infectious grin and an astonishing skill with a ukulele, on which he played numerous very catchy tunes; his films still come over surprisingly well today. This early film, though, was a far cry from those later glossy productions. Apparently filmed over a fortnight on a shoestring budget in a room above a garage, the film has the feel of a review, with very little plot. George plays John Willie (a character invented by his father) a hotel boots who indulges in a number of comic encounters with the hotel manager, the chef, some of the hotel guests and a scullery maid (played by Formby’s formidable wife Beryl). Discovering John Willie’s prowess with the ukulele and the maid’s dancing skills, the manager puts them in the hotel’s cabaret.

    George Formby later described Boots! Boots! as ‘a lousy film’, and certainly it seems very cheap and cheerful today, but on it’s opening it proved to be a great hit across the country and effectively launched Formby’s cinema career. By his own account he himself saw what a draw the film was when he secretly came to the Potteries to see the film open and was astonished to find that it was playing to packed houses. A Sentinel reviewer described it as ‘a distinctly happy piece of entertainment. There are plenty of laughs, an abundance of good tunes and the settings are up to standard for a film of this type.’

    The reason why the exact date of the premier is unknown seems to be because the Palladium Theatre often went through periods when it did not advertise in the Sentinel, 1934 being one of these times and as a result the date is lost. The film was subsequently shown at the Roxy in Hanley for three days from 19 July and at the Regal, Newcastle on Bank Holiday, Monday, 6 August 1934, having gone on general release on 30 July. 

    Reference: Staffordshire Sentinel 7 August 1934, p.3; correspondence of Jonathan Baddeley and David Rayner in The Way We Were supplement to the Sentinel, partially reprinted in The North-West George Formby Newsletter 36, Vol. 3, No. 12, June 1998, p.4.

  • Hanley Goes to Hollywood

    Alfred John Austin had been born in Hanley on 22 September 1899, the eldest child of George and Emily Austin, he had a younger sister named Ann. In 1911 the family emigrated to Canada, settling in Winnipeg, Manitoba, where the father George initially worked on the railway and later as a caretaker. Their settled life, though, was interrupted by World War One. It seems that young Alfred was keen to go to war as on 16 August 1915, he attested for the Canadian Army, claiming he was 19, though he was actually a month shy of his 16th birthday. Two days later his father George also attested for the army, though the two were posted to different units, Alfred joining the 79th Cameron Highlanders of Canada with whom he went to serve in France. In 1916, his father George Austin was killed in action, while Alfred for his part is said to have been wounded in the Third Battle of Ypres and his papers indicate that in 1917 he also suffered from shell shock. It was also in 1917, whilst probably visiting friends and relatives in the Potteries, that Alfred married his first wife Doris Roberts at St George’s Church, Newcastle-under-Lyme on 23 December. He returned to France, eventually rising to the rank of Company Sergeant Major, but got through his remaining service unscathed.

    Hanley Stafford c.1945. Source: CBS Radio, Public Domain
    Source: Wikimedia Commons

    Returning home to Canada with his new wife in 1919, he settled back in Winnipeg where he and Doris had a son, Graham, born in 1920. He had started acting with the Winnipeg Permanent Players on his return and through them, he got a job with a summer stock company that toured western Canada, but when the company folded he had to make a living in other ways, taking jobs working in wheat fields, hauling freight and working as an office stenographer. In search of more acting work, in 1922 he took his family to live in the USA, settling in California. Five years later on his application for US citizenship, to give himself a memorable stage name and in a nod to his place of birth, he stated that he wished to be known henceforth (in the States, at least) as Hanley Stafford. He then played in summer stock productions for eight years and then in tent shows. He was appearing in radio plays in Los Angeles by April 1932 and briefly went to Phoenix to manage a stock theatre company, but returned to Los Angeles in August to resume his stage and radio work. His career was going well, but at the expense of his marriage it seems and in 1934, he and Doris were divorced. The next year he married his second wife Bernice Bohnett.

    After starring in the New York radio detective series Thatcher Colt from September 1936 to March 1937, Stafford again returned to Los Angeles and there took on a number of radio roles, providing voices for amongst others Speed Gibson and The Shadow of Fu Manchu. In December 1937, he also landed the role of Lancelot ‘Daddy’ Higgins, the oft-harassed father of mischievous Baby Snooks, a young girl played convincingly by a grown actress, Fanny Brice, originally in a series of sketches on The Good News Show and later on The Baby Snooks Show. It was the role that made his name and alongside his other work Stafford continued playing the part until the final broadcast on 22 May 1951, two days before the sudden death of star Fanny Brice. In 1939, Stafford also took on another notable role as J. C. Dithers, the boss of Dagwood Bumstead, in the popular radio comedy Blondie, again a part he would play for many years. That year, his second marriage failed and in 1940 he married Veola Vonn, who played Dimples Wilson in Blondie. They would stay married until Stafford’s death.

    Between 1950 and 1963, Stafford also appeared as a guest star or in bit parts on various television series, these included The Popsicle Parade of Stars and Hollywood Premiere Theatre, episodes of  Cheyenne, Maverick, Shirley Temple’s Storybook, Sugarfoot, and 77 Sunset Strip, The Brothers, The Betty Hutton Show,  Angel, The Millionaire. and The Lucy Show. He also appeared in minor roles in several light-weight films such as Lullaby of Broadway starring Doris Day, A Girl in Every Port, Just This Once, Tell it to the Marines, Francis Covers the Big Town and The Affairs of Dobie Gillis. These, though seem simply to have been strings to his bow, radio being his preferred medium. In 1960 for his radio work, Hanley Stafford was awarded a star on the Hollywood Walk of Fame. This was unveiled on 2 August 1960 at 1640 Vine Street, Hollywood, California; the venue was fitting as in Stafford’s heyday, the area around the intersection of Sunset Boulevard and Vine Street was known as ‘Radio Row’ housing the four large radio stations in the city where he had worked for the past two decades.

    Hanley Stafford, born Alfred John Austin, died at home from a heart attack on 9 September 1968, in Los Angeles, California, USA, aged 68. He was cremated and his ashes placed alongside those of his mother in the Columbarium of Heavenly Peace, Forest Lawn Memorial Park, Glendale, Los Angeles. 

    Reference: Wikipedia entry for Hanley Stafford; IMDb entry for Hanley Stafford; Find-a-Grave entry for Hanley Stafford.

  • Lost with the Lusitania

    The sinking of the Lusitania, by marine artist Norman Wilkinson.
    Source: Wikimedia Commons.

    On 7 May 1915, the Cunard liner Lusitania, en route from New York to Liverpool was some 11 miles off the Old Head of Kinsale, Ireland, when a lurking German U-Boat fired a torpedo that struck the ship just aft of the bridge on the starboard side. Shortly after the torpedo struck, a second explosion occurred inside the ship, dooming the vessel, which sank in only 18 minutes. There were only 763 survivors out of the 1,960 passengers and crew and about 128 of the dead were American citizens. The sinking of the Lusitania was widely condemned around the world and it became a contributing factor to America’s entry into the Great War in 1917. 

    As had been the case with the Titanic five years earlier, there were several people aboard the doomed liner who hailed from the Potteries, though some of them had become naturalised American or Canadian citizens, who despite the increasing dangers posed by the war in Europe, were coming to Britain to visit relatives. Most of them perished in the disaster, but three survived and had dramatic but tragic tales to tell.

    When the Lusitania was first struck by the torpedo, 39 year old Martha Baker, her nine year old daughter Winifred, with their friends Elizabeth Brammer aged 32 and her five year old daughter Edith, were sitting down to lunch in the second class saloon. They had all been born in the Potteries, Martha in Stoke, her daughter in Hanley, Elizabeth in Longton and her daughter in Stoke. However, they were now US citizens, their two families having emigrated to the States in 1909, setting up home in Trenton, New Jersey, where their husbands and fathers had found work in the local pottery industry. But the ties that bind were strong and in 1915, the four of them decided to take a trip back to Britain, Mrs Barker to visit her mother who was ill and the Brammers to see relatives. They were all aware of the dangers they faced in taking the trip; indeed the Germans had recently placed warning notices in many American papers – one was even placed next to the notice announcing Lusitania’s sailing – stating that all British ships were now subject to unrestricted submarine warfare and would be legitimate targets to attack. But the journey thus far had been uneventful and the women and girls were looking forward to arriving safely at Liverpool.

    That happy prospect, though, was suddenly cut short, when at about 2.10 p.m., the torpedo slammed into the Lusitania. Mrs Barker recalled that the ship seemed to stop, almost dead, shuddered and began to list to starboard. Everyone knew what had happened and there followed a scramble to get out of the saloon, but in the confusion and crush to get up on to the deck, the Barkers and Brammers were separated from one another.

    Mrs Brammer and Edith, got to the main deck where a fellow passenger, a clergyman from Queenstown, put life jackets on the two of them. Martha Barker had lost track of what was going on, but she and Winifred also made it to the boat deck, where a gentleman provided the young girl with a life jacket, though Martha never managed to get one. They both climbed into a nearby lifeboat, but on the captain’s orders they and other passengers were told to get out, which was fortunate as the boat was situated on the side that went down first. The occupants were told that everything was fine, the watertight doors were closed and that after the shock of the blast, the ship was slowly righting itself.

    The ship was indeed settling back onto an even keel when the second explosion occurred deep within the hull, dooming the vessel. Martha Barker held Winifred’s right hand and with nothing else to do, they simply waited for the end. Despite the peril, the little girl showed great courage and said, “Don’t worry mother darling; we shall be saved.”

    But as the ship rolled over, with hundreds of others they were plunged into the water and the suction quickly pulled them under. Mrs Barker remembered being pulled down and down before she lost consciousness. When she awoke some time later, she found herself on an upturned boat onto which she had been lifted by someone, but she was horrified to find that Winifred was no longer with her.

    The Brammers too had gone down with the ship, but they must have held on tight to each other. Elizabeth Brammer also lost consciousness, but when she came to she found herself safe in a lifeboat with Edith by her side. Martha Barker, meantime, was picked up by one of the collapsible lifeboats, then a fishing boat came along and took her and others on board. Some time later, she was moved once again, this time to a steam tug which transported her to Queenstown harbour, where it seems she was reunited with the Brammers.

    The survivors were taken to the Queen’s Hotel in Queenstown, arriving there at about 10 p.m., some seven or eight hours after the sinking. Here, the US Consul based in Cork, came to render assistance and Martha Barker and the Brammers, were overwhelmed by the kindness of the locals, who helped in every way they could. For Martha, though, it was a heart-wrenching time, and though she waited for several days, hoping against hope to hear something about her daughter, no news ever came. Brave little Winnie Barker, was never seen again, just one of the 1,197 people lost with the Lusitania.

    It soon became clear in the North Staffordshire press, that others from the Potteries had perished alongside her. Arthur John Wood, aged 39, had been born in Wolstanton, but grew up in Burslem and Tunstall. By 1915, he was a married man living in Goldenhill and he worked as a designer and representative of Messrs W. H. Grindley and Co., of Tunstall. He had been in the States on a business trip for his firm and having crossed safely on the Lusitania, he took the ship for the return, but was lost in the sinking. His body was later recovered and like many of the victims he was later buried in Queenstown.

    William Henry Crutchley, aged 48, had been born in Hanley and worked in the pottery industry as a sanitary presser and caster. A married man with six surviving children, he had been in the States visiting his son who worked as a potter in East Liverpool, Ohio. William was travelling as a steerage (3rd class) passenger on the Lusitania, returning to Britain to see his wife and daughters. William was reportedly a good swimmer and his son in the States at first held out some hope that his father had survived the sinking, but William was never seen again.

    Also born in Hanley was Edward Jones, sometimes referred to as Edward Carr-Jones. Aged 39, he was a pianist aboard the Lusitania. After a period working in the pottery industry, by 1911, he was listing himself in the census as a ‘professor of music’ and ‘Pianist Cunard Line.’ He had, in fact, been leading a very different life from most of the locals for several years and before going to sea he had spent several summers working in Barmouth as a member of a pierrot troupe, ‘The Royal Magnets’, wherein he played the flute. From 1912 onwards, he was working regularly on ships. Now styling himself Edward Carr-Jones (Carr was his mother’s maiden name) he had worked on the Carmania and Lusitania as a pianist. He too was lost in the sinking.

    Also mentioned alongside these was Gertrude Walker, a Canadian citizen who had been born in Newcastle-under-Lyme. Aged 28 at the time of her death. She was the wife of John Walker, a native of Warwickshire, who had trained in the Potteries as a blacksmith and who later worked as a mechanical engineer for the Cobridge Sanitary Brick and Tile Works. The couple married in Newcastle in 1913 and emigrated to Canada soon after, settling in Toronto, where John found work as a fitter on the railways. In 1915, Gertrude got news that her father was ill, which prompted their journey back to Britain. Friends had tried to dissuade them from going, but to no avail, and both perished in the disaster that overtook the liner.

    For the survivors, life went on, though not always in the happiest of ways. Martha Barker suffered the tragedy of losing her daughter alone at first, though she was soon joined in Liverpool by her husband Thomas and daughter Doris, and Elizabeth Brammer’s husband also came over. In July, they all returned safely to the United States aboard the American Line steamer New York. Not long after this, Thomas Barker died and Martha went on to marry one Michael Thomas Gretton. By 1940, she was a widow once more and eventually died in 1963, in Trenton, being listed as Martha Barker.

    Her friend Elizabeth Brammer is something of an enigma after the sinking and her return home. It has been claimed that she died in 1983, but this has been disputed. Her daughter Edith, though, is easier to trace. She married one Arthur Fletcher in 1929, and the couple had a daughter. Edith Fletcher, born in Stoke-upon-Trent in 1907, died in Mercer County, New Jersey, in April 1985, aged 78.

    Reference: Staffordshire Sentinel, 8 – 10 May 1915; Staffordshire Advertiser 15 May 1915, p.7. Peter Engberg-Klarström’s website ‘Peter’s Lusitania Page’ https://lusitaniapage.wordpress.com/ is an excellent online resource for those looking for more in-depth biographies of the passengers and crew of the Lusitania. I gratefully acknowledge his research here, notably into the life of bandsman Edward Jones. My thanks also to Ken Ray, for drawing my attention to the story